【网盘资源获取】
巴勒摩或沃夫斯堡 夸克网盘链接：https://pan.quark.cn/s/2f1b7e814c56
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基本信息
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片名：巴勒摩或沃夫斯堡
外文名：Palermo or Wolfsburg
又名：巴勒莫或沃尔夫斯伯格 / 巴勒莫或沃尔夫斯堡
年份：1980
类型：剧情
制片国家/地区：瑞士,西德
语言：德语,意大利语
上映/首播：
集数：
片长/单集片长：173分钟
导演：沃纳·施罗德
编剧：沃纳·施罗德
主演：奥托·山德尔 / 伊妲·迪·贝尼代托
豆瓣评分：7.6
IMDb：tt0081299
豆瓣链接：https://movie.douban.com/subject/1303540/
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剧情简介
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This film begins in the town of Palermo, where the film’s central figure, Nicola, is a young victim of Sicily’s high rate of unemployment. He decides to leave Palermo for Wolfsburg in Germany in search of employment. Along with Fassbinder’s Angst essen Seele auf (1973), Schroeter’s film becomes one of a handful of films to broach the subject of the difficulties foreigners faced in their attempts to integrate into German society without the support of the family and community structures they had left behind in their home countries. Like Regno di Napoli, Palermo oder Wolfsburg follows a chronological structure, but Schroeter’s innovation in this film is to divide the narrative into three distinct sections or acts, each having their own particular style. Palermo oder Wolfsburg won the prestigious Golden Bear at the Berlin Film Festival in 1980, notably the first Golden Bear ever awarded to a German director. Werner Schroeter has fashioned a compelling personal epic about an 18-year-old Sicilian, Nicola, who emigrates to Germany. There he works in a Volkswagen factory, falls in love, and painfully adjusts to a new and incomprehensible way of life. When he realizes his girlfriend is just using him, Nicola strikes out in violence at her two boyfriends. Like BREAD AND CHOCOLATE, the film is about the estrangement of the outsider in what is seen as an alien and hostile society. The only difference is that this not a comedy. It also bears some similarities to Visconti’s ROCCO AND HIS BROTHERS, with its theme of the corrupting influence of modern industrial society. The film is neatly divided into two parts, the Sicilian half, with its sunny, warm photographic style and the German half, which becomes grayish and grim. Nicola Zarbo is fine in the lead role among a cast of mostly unknown performers. At three hours the film is a trifle too long but thoroughly involving.
